Monitoring:
Benchmarkmedia DAC1 / Link Velox silver interconnect / Bryston 3BSST of 875HT (surround) / Link Korund speaker cable / 2 to 6x Link K50 loudspeakers
Headphones: 2x Sennheiser HE60/HEV70 electrostatics / 1x HD580 + 2x HD 650 through 2x Benchmarkmedia DAC1
Metering : Pinguin PG AM4.1 pro (hires option)
Microphones:
Sennheiser MKH800 twin / MKH800 / MKH80 / MKH40 / MKH30 / MKH20
Sonodore CCM-65 omnis
Royer SF12 stereo coincident dynamic ribbon mic
Royer SF1 ribbon mics
Pearl DS60 stereo / surround variable pattern mic
Schoeps CCM2/MK2 omnis
DPA (B&K) en Neumann on request.
Mic preamplifiers:
Gracedesign m802 8ch mic pre + AD option
2x Gracedesign 801R 8ch mic pre
TLaudio pentode valve preamp
Symetrix 302
24 channel AD/DA conversion:
3x Soundscape IO896 24bit/96KHz ADDA (Designed for Soundscape by Apogee)
Gracedesign 8ch AD option
Recording&mix&editing:
2x Soundscape SS32 32 track + mixpander9 DSP card (2x16 track 96KHz/24bit during record, 2x32 track playback)
2x Pyramix native editing/recording systems
Bricasti M7 reverb
TC Electronics reverb
Pristine Space (surround) sampling reverb (Concertgebouw, Concertgebouw Brugge, Studio4/Flagey, Koninklijk Conservatorium Brussel ...)

Editing&CD mastering are done in our editing room, very quiet&acoustically treated (in view of our own mastering facility) and possibility to do a surround mix. All final CD-R masters are made on high-grade media (Tayio Yuden) and are submitted to a full C1/C2 error check and auditive check before signing them off for replication.
Alternatively we produce a DDP master + upload to the replication plant.
For SACD authoring we gladly refer you to Polyhymnia International (The Netherlands).